Author Archives melissa

Third Thursday Lecture Series

September 21, 2017
/ / /
Comments Closed

Please join us for our Third Thursday Lecture Series!

21 September 2017 | Fred Eversley and his Contemporaries: Light, Space & Energy in Postwar Art | Dr. John T. Spike

19 October 2017 | African American Art at the Muscarelle: Building on the Legacy | Dr. John T. Spike

16 November 2017 | Commemoration and Remembering | Dr. Michael L. Blakey

Sponsored by:

Fred Eversley, 50 Years an Artist: Light & Space & Energy

June 14, 2017
/ / /
Comments Closed

September 2 – December 10, 2017

Fred Eversley, 50 Years an Artist: Light & Space & Energy features a survey of the artist’s work representing an extraordinary fifty-year career.  Eversley, trained as an engineer, began making his polyester resin sculptures with an aim to “create kinetic art without using kinetic elements such as mechanical movement or artificial light changes.”  Eversley’s strong interest in energy  has led to further creations that utilize wind current to create dynamic acrylic cast forms.  This retrospective exhibition featuring the works of Fred Eversley, an important African American sculptor and innovator, will coincide with the College’s fiftieth anniversary of the first residential African American students.  Interestingly, as the artist has pointed out to us, the dates of desegregation at the College of William & Mary in September 1967 is the exact month and year that he embarked on his exceptional career as an artist.

Press release available here.

Image citation: Fred Eversley | American, b. 1941 | Blue Para, 2004 | Cast polyester resin | 20 x 20 x 6 inches | Muscarelle Museum of Art | Photo: Maria Larsson

Building on the Legacy

May 5, 2017
/ / /
Comments Closed

September 2, 2017 – January 14, 2018

Building on the Legacy: African American Art from the Permanent Collection is comprised of more than thirty paintings, drawings, works on paper and sculptures by some of this country’s most renowned artists.  This academic year of 2017-2018, the College of William & Mary commemorates the fiftieth anniversary of the first African American students in residence: Lynn Briley, Janet Brown and Karen Ely.  In honor of this milestone, the Muscarelle Museum of Art is proud to showcase works from the permanent collection that encompasses a variety of media, styles and time periods, exemplifying the plurality of vision among these accomplished artists.  The selection embraces a panoply of approaches, ranging from the nineteenth-century realism of Henry Ossawa Tanner to the contemporary conceptualism of Martin Puryear.  The subjects include portraiture by realist and folk artists, black-and-white abstractions and colorful landscapes, including recent acquisitions.

Press release available here.

To learn more about 50th commemoration events, click here.




 Image Credits:
Left: JEANNE MOUTOUSSAMY-ASHE | American, b. 1951 | Maya Angelou, 1993 | Silver print with hand coloring | Muscarelle Museum of Art | Acquired with funds from the Board of Visitors Muscarelle Museum of Art Endowment | © Jeanne Moutoussamy-Ashe | 2015.027
Right: JOHN WILSON | American, 1922 – 2015 | Martin Luther King, Jr., 2002 | Etching on chine collé | Muscarelle Museum of Art | Acquired with funds from the Board of Visitors Muscarelle Museum of Art Endowment | © Estate of the artist | 2015.011

The Bones of the Earth: Scholars’ Rocks and the Natural World in Chinese Culture, Selections from the Robert Turvene Collection

April 17, 2017
/ / /
Comments Closed

April 21 – August 13, 2017

In Chinese philosophy and ancient legend, Scholars’ rocks were viewed as “the bones of the earth”. Since the Song dynasty (960–1279), these natural sculptures have been regarded as artifacts of the sacred relationship between man and nature and described in folklore as otherworldly. Collectors of these stones use them for contemplation and inspiration. The selections on view at the Muscarelle Museum of Art are part of larger group and promised gift from the Collection of Robert Turvene (W&M ’53) and are comprised of every revered type including Lingbi, Ying, Taihu, Mohu, Nine Dragon, Kun, Meng and Three Gorges.

Curated by Lowry Palmer (W&M ’17) and Elizabeth Dowker (W&M ’20).

Press release is available here.

The Art and Science of Connoisseurship

April 5, 2017
/ / /
Comments Closed

February 11 – August 13, 2017

The Art and Science of Connoisseurship explores the creative narrative behind six paintings attributed to Agnolo Bronzino, Annibale Carracci, Guido Reni, Peter Paul Rubens, Peter Lely, and Paul Cézanne.  This exhibition presents a series of visual examinations and scientific analyses that address the questions of who, what, where, when, and why surrounding these recently-acquired paintings.  From observations of stylistic progression and considerations of an artist’s chronology, to the identification of retouched surfaces and studies of paint samples, each of the Muscarelle’s new works presents distinctive issues in connoisseurship.

Fire and Clay: New Acquisitions of Chinese Antiquities

March 21, 2017
/ / /
Comments Closed

May 6 – August 13, 2017

This exhibition represents a celebration and first public showing of an outstanding collection of Chinese art recently donated to the Muscarelle Museum of Art.  The generous gift comprised of twenty-one superb works, covers an arc of almost two thousand years of the world’s greatest tradition of pottery-making, dating from circa 475-221 BC in clay and 400-201 BC in bronze spanning through 1279-1368 AD.  In the course of this journey, the exhibition and the visitor will encounter enchanting examples from two golden ages of Chinese art, the Han Dynasty (206 BC – 220 AD) and culminating in the Tang Dynasty (618 – 906 AD).

Curated by Dr. John T. Spike with assistance from Phoebe Warren (W&M ’17) and Abigail Bradford (W&M ’17).

Press release is available here.

Botticelli and the Search for the Divine: Florentine Painting between the Medici and the Bonfires of the Vanities

December 2, 2016
/ / /
Comments Closed

February 11 – April 5, 2017

The restless genius of Sandro Botticelli (Florence, 1445-1510) is explored in depth in the most important Botticelli exhibition ever seen in the United States, Botticelli and the Search for the Divine; a major international loan exhibition organized by the Muscarelle Museum of Art in Williamsburg, Va., in partnership with Italy’s Associazione Culturale Metamorfosi.  Every phase of the artist’s tumultuous career is represented in this selection, as well as nine works by his master Filippo Lippi, the only pupil of Masaccio. Botticelli was guided to success by the Medici dynasty, the patrons for sacred altarpieces and sensuous paintings of classical mythology, including several in this unprecedented exhibition. After the fall of the Medici, many of his paintings were lost in the bonfires of the vanities.

In the fourth such partnership, the exhibition will travel to the Museum of Fine Arts, Boston as its only other venue and will include one of only two of Botticelli’s paintings of an isolated Venus, on view for the first time in the United States.  This exhibition is curated by Dr. John T. Spike.

February 11 – April 5, 2017 at the Muscarelle Museum of Art
and April 15 – July 9, 2017 at the Museum of Fine Arts, Boston

Public tours will be held at the following times:

Wednesday at 6:00 PM
Friday at 11:00 AM, 12:00 PM, 1:00 PM, and 2:00 PM
Saturday & Sunday at 11:00 AM, 12:00 PM, 1:00 PM, 2:00 PM, and 3:00 PM

Download the Exhibition Brochure

Press Release Available Here

Image credit: Sandro Botticelli and workshop | Venus (detail) | Oil on canvas, transferred from wood panel | Galleria Sabauda, Turin, lnv. 172

Written in Confidence: The Unpublished Letters of James Monroe

December 2, 2016
/ / /
Comments Closed

February 11 – May 21, 2017

Unpublished and on view for the first time, these letters are an important new resource for research and scholarship, providing viewers with a unique, inside glimpse of the man who served as President of the United States from 1817 to 1825.  Playing out as a drama in letters, these documents shed light on Monroe’s deliberations, particularly when making political appointments, revealing the sometimes uneasy task of granting positions of power.  The letters’ exhibition and their accessibility to researchers at the Special Collections Research Center create the exciting potential for new discoveries. Uncovering lost details of Monroe’s life and leadership, they provide a new lens through which to view one of the nation’s early leaders.


[Monroe-Crawford Letters, 1816-1822, Special Collections Research Center, Earl Gregg Swem Library, William & Mary Libraries.]