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“A Venus painting by Italian master Sandro Botticelli will go on view in the United States for the first time as part of a touring exhibition featuring sixteen paintings from throughout his oeuvre.”
“Botticelli and the Search for the Divine: Florentine Painting between the Medici and the Bonfires of the Vanities” will go on view at Muscarelle Museum of Art in Virginia before traveling to Museum of Fine Arts in Boston. As one of the highlights, the exhibition will feature one of only two isolated depictions of Venus ever painted by the much-loved artist.”
Botticelli and the Search for the Divine: Florentine Painting between the Medici and the Bonfires of the Vanities
The restless genius of Sandro Botticelli (Florence, 1445-1510) is explored in depth in the most important Botticelli exhibition ever seen in the United States, Botticelli and the Search for the Divine; a major international loan exhibition organized by the Muscarelle Museum of Art in Williamsburg, Va., in partnership with Italy’s Associazione Culturale Metamorfosi. Every phase of the artist’s tumultuous career is represented in this selection, as well as nine works by his master Filippo Lippi, the only pupil of Masaccio. Botticelli was guided to success by the Medici dynasty, the patrons for sacred altarpieces and sensuous paintings of classical mythology, including several in this unprecedented exhibition. After the fall of the Medici, many of his paintings were lost in the bonfires of the vanities.
In the fourth such partnership, the exhibition will travel to the Museum of Fine Arts, Boston as its only other venue and will include one of only two of Botticelli’s paintings of an isolated Venus, on view for the first time in the United States. This exhibition is curated by Dr. John T. Spike.
February 11 – April 5, 2017 at the Muscarelle Museum of Art
and April 15 – July 9, 2017 at the Museum of Fine Arts, Boston
Image credit: Sandro Botticelli and workshop | Venus (detail) | Oil on canvas, transferred from wood panel | Galleria Sabauda, Turin, lnv. 172
February 11 – May 14, 2017
Unpublished and on view for the first time, these letters are an important new resource for research and scholarship, providing viewers with a unique, inside glimpse of the man who served as President of the United States from 1817 to 1825. Playing out as a drama in letters, these documents shed light on Monroe’s deliberations, particularly when making political appointments, revealing the sometimes uneasy task of granting positions of power. The letters’ exhibition and their accessibility to researchers at the Special Collections Research Center create the exciting potential for new discoveries. Uncovering lost details of Monroe’s life and leadership, they provide a new lens through which to view one of the nation’s early leaders.
February 11 – May 14, 2017
Thomas Jefferson’s Honorary Degree , on loan from the Massachusetts Historical Society, is the only diploma Jefferson received from his alma mater and confers upon him “gladly and eagerly of the degree of doctor in the civil law.” This pocket exhibition focuses on Jefferson’s years at William & Mary and the mentors who helped shaped the mind of the third President of the United States.
This exhibition is co-sponsored by the Office of the President at William & Mary.
February 11 – August 13, 2017
The Art and Science of Connoisseurship explores the creative narrative behind six paintings attributed to Agnolo Bronzino, Annibale Carracci, Guido Reni, Peter Paul Rubens, Peter Lely, and Paul Cézanne. This exhibition presents a series of visual examinations and scientific analyses that address the questions of who, what, where, when, and why surrounding these recently-acquired paintings. From observations of stylistic progression and considerations of an artist’s chronology, to the identification of retouched surfaces and studies of paint samples, each of the Muscarelle’s new works presents distinctive issues in connoisseurship.