September 10 through December 2, 2016
Hosted every three years by museums across the U.S., the American Society of Marine Artists (ASMA) holds a juried competition for the best in contemporary marine art.
September 10, 2016 through January 8, 2017
Constructed in 1723, the Brafferton Indian School remains a strong visual symbol on the campus of the College of William & Mary. This is the first exhibition to examine the history of the Brafferton within the wider trans-Atlantic networks of trade, politics of church and state, and Great Britain’s colonial enterprise in North America.
The Muscarelle Museum of Art is pleased to announce an exhibition devoted to the history of the Brafferton on the campus of William & Mary. Building the Brafferton: The Founding, Funding and Legacy of America’s Indian School will open on Saturday, September 10, 2016.
We’ve built a new site over the past few months and are excited to share it! Visitors can now access and search selected works from our online Collections database and we’ve reorganized and redesigned our site for ease of use and efficiency.
The drawings were shipped with armed guards, the travel schedule kept secret, in frames equipped with their own precise micro-climates and sensors linked to computers in Italy. Once at their destination – a small museum on a Virginia college campus – more than a thousand students lined up on a cold night for their chance to spend time, up close, with Leonardo da Vinci’s drawings.
After its extremely successful exhibition “Michelangelo: Sacred and Profane, Masterpiece Drawings From the Casa Buonarroti” last year, the Muscarelle Museum of Art at the College of William & Mary in Williamsburg, Va., is turning its attention to another Renaissance giant.
The drawings were shipped with armed guards, the travel schedule kept secret, in frames equipped with their own precise micro-climates and sensors linked to computers in Italy.
Michelangelo was a notorious miser. He drew on every scrap he found around his studio, only on rare occasions beginning a drawing on a fresh sheet (typically when the sheet was intended for a patron’s eyes).
WILLIAMSBURG, Va. — Twenty-five drawings by Michelangelo begin a two-city U.S. exhibition in Virginia on Saturday, including some works never before seen in the United States and many that offer a glimpse into the mind of the master and the tumultuous times in which he lived.